Submissions Guidelines
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We are looking for longform creative nonfiction or essay submissions that relate to our issue theme (1,000-3,0000 words). Providing action items is optional. Please see our FAQs below for more details.
We prioritize submissions from adoptees, fosterees, and folks with lived experience, especially from those who are more marginalized (people of color, disabled, queer and trans folks, etc). Read more in our FAQs below.
You must be 18 years of age or older to submit work to our publication (this includes collaborators as well).
We offer the option to publish anonymously.
Our submissions are open regardless of education status.
Non-impacted (fosteree, adoptee, and/or birth parent) folks are welcome to submit work; they must collaborate with one or more impacted people.
We are looking mainly for submissions from folks who have a strong understanding of U.S. culture, whether you were adopted/fostered to/within the U.S. or moved and have resided here for some time. We are open to other submissions. Please read our FAQs below for more information.
If you have previously published work you would like to submit here, that’s okay with us! Just make sure you have all the rights to sign our legal release.
Please note that we rarely accept fiction pieces. We recommend you connect with these other publications instead. Contact us if you want to discuss this!
We highly encourage collaboration and co-authoring. Important work is so often done in community and this is no different. We want to highlight the kinds of thinking and the beautiful creations that can come out of working together. -
For our first issue, contributor (folks whose submissions have been accepted for publication) compensation will consist of the following:
- Digital, print, and audio editions
- Other items we may make such as prints or stickers
- A digital bio image (equivalent to a commissioned digital portrait with a value of ~$225).
The above comes out to a dollar value of $260-$300+.
Additionally we may be able to offer monetary compensation depending on if we make our Kickstarter goals.
If two or more people work on a piece, each person would individually receive the things we listed above, including a digital bio image. If we are able to monetarily compensate people, then the amount would be split equally between the contributors. -
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After you submit your piece, we will send you a copy of your responses. Here's what else to know:
We have three rounds of submissions, with our final deadline being March 1, 2024 at 11:59 pm PT. Read our FAQs below for more information.
Content must relate to our theme to be considered for this issue, but if we believe it would fit well with a different issue theme then we will contact you.
If your piece is not accepted, we will reach out and let you know. Due to having a small team, we may not have the capacity to tell you all the reasons behind why we didn't move forward with your piece but we will make the effort to connect with and notify you.
If your piece is accepted we will reach out and let you know after our final deadline of March 1, 2024 at 11:59 pm PT.
We will ask that you attend a handful of meetings and commit to a few important deadlines. We will not ask for an unreasonable amount of things from you, but it will be more collaborative than perhaps other publications you may have worked with.
After that, we will begin production!
Ready to submit? Hit the button below:)
Final deadline is March 1st, 2024 at 11:59 pm PT.
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For art submissions we are open to any art medium, style, and expression that can work with our publication (print, digital, audio editions) and relates to the issue theme. Because this is so broad, we don’t have any particular art examples. Providing action items is optional (see FAQs for more). We’re excited to see what people share with us! PLEASE NOTE: We are planning to print the physical editions using risograph. We will work with you on how this medium may change your work! Please read FAQs below for more.
We prioritize submissions from adoptees, fosterees, and folks with lived experience, especially from those who are more marginalized (people of color, disabled, queer and trans folks, etc). Read more in our FAQs below.
You must be 18 years of age or older to submit work to our publication (this includes collaborators as well).
We offer the option to publish anonymously.
Our submissions are open regardless of education status.
Non-impacted (fosteree, adoptee, and/or birth parent) folks are welcome to submit work; they must collaborate with one or more impacted people.
We are looking mainly for submissions from folks who have a strong understanding of U.S. culture, whether you were adopted/fostered to/within the U.S. or moved and have resided here for some time. We are open to other submissions. Please read our FAQs below for more information.
If you have previously published work you would like to submit here, that’s okay with us! Just make sure you have all the rights to sign our legal release.
We highly encourage collaboration. Important work is so often done in community and this is no different. We want to highlight the kinds of thinking and the beautiful creations that can come out of working together. -
For our first issue, contributor (folks whose submissions have been accepted for publication) compensation will consist of the following:
- Digital, print, and audio editions
- Other items we may make such as prints or stickers
- A digital bio image (equivalent to a commissioned digital portrait with a value of ~$225).
The above comes out to a dollar value of $260-$300+.
Additionally we may be able to offer monetary compensation depending on if we make our Kickstarter goals.
If two or more people work on a piece, each person would individually receive the things we listed above, including a digital bio image. If we are able to monetarily compensate people, then the amount would be split equally between the contributors. -
Legal Page
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After you submit your piece, we will send you a copy of your responses. Here's what else to know:
We have three rounds of submissions, with our final deadline being March 1, 2024 at 11:59 pm PT. Read our FAQs below for more information.
Content must relate to our theme to be considered for this issue, but if we believe it would fit well with a different issue theme then we will contact you.
If your piece is not accepted, we will reach out and let you know. Due to having a small team, we may not have the capacity to tell you all the reasons behind why we didn't move forward with your piece but we will make the effort to connect with and notify you.
If your piece is accepted we will reach out and let you know after our final deadline of March 1, 2024 at 11:59 pm PT.
We will ask that you attend a handful of meetings and commit to a few important deadlines. We will not ask for an unreasonable amount of things from you, but it will be more collaborative than perhaps other publications you may have worked with.
After that, we will begin production!
Ready to submit? Hit the button below:)
Final deadline is March 1st, 2024 at 11:59 pm PT.
FAQs
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We are a mix between publication styles. We welcome personal essays, multimedia, creative nonfiction, and visual arts and plan to publish digital, audio, and print issues. We invite contributors to share their beliefs on, and relationships to, their content.
We are looking for pieces with depth, information, and context as well as pieces crafted with a strong emotional pull and call to action. We prefer pieces where a more generalized rather than specialized audience would feel able to engage with. And we feel so excited by publishing that plays with visual and physical form.
While we very much invite the intimate and personal in these pieces, we also are interested in how our experiences tie into larger scale movements because we believe that by placing our stories in the context of systemic action/inaction we step into our collective power.
We hope we can balance writing styles and craft to connect our individual lived experiences to broader patterns, to humanize global systems, and to better understand what we can do to build the world we want to see. And we are excited to test printing on the risograph and hope to eventually work with artists to develop cover artwork or experiment with the structural and/or conceptual form of the magazine through various book arts techniques.
We are not looking for jargon-heavy, inaccessible texts or the cloaking of the writer's own positionality and a purported neutrality that often furthers white, middle and upper class values.
In short, we are trying to combine everything we feel moved by from the kinds of publications we see out there and leave the things we don’t to create something different and experimental.
Learn more on our About page, our About us FAQs, and our Launch event presentation. -
Our audience is first and foremost fosterees and adoptees, then birth parents, then anyone else who happens to read our publication. We want to center fosterees, adoptees, and birth parent voices. We are not writing for adoptive parents. We are not trying to convince people to care about us. We are only trying to share what we’re passionate about and how folks can get involved. The connections we see between our many communities of origin, gender, sexuality, ability, and the ways we can build solidarity for our work to improve situations for our audience.
There are ways we see this project being viewed by non-fostered/adopted people, absolutely. That is also not within our control, and a point of this project is that non-impacted people can see how we work and create when it’s not about them. We hope that through this one entryway they will learn more about these issues and support our work. We hope this could be one way to change minds and shape societal shifts. -
We want to work with anyone who supports our goals AND we want to prioritize folks who have lived experience and been impacted by these systems we’re addressing as well as those who are more marginalized (folks of color, disabled, queer and trans folks, etc).
Folks who are not fosterees, adoptees, and birth parents are welcome to submit work to our publication and we want to recognize the thoughtful and important contributions that some non-impacted folks have made to these subjects such as Dorothy Roberts, Eleana Kim, Laura Briggs, and Rich Lee, among others.
In the cases of non-impacted people wanting to submit work to us, we want to take care with the long history of fosteree, adoptee and birth parent voices being ignored or decentered in favor of folks who hold none of those identities (oftentimes adoptive or foster parents) who are also overwhelmingly white.
This is why we ask folks who haven’t experienced family separation firsthand and who want to submit work to us do so with a co-author (or co-creator for artwork) who has been impacted. In general, we encourage collaboration and co-creation with this project because none of us develop our perspectives alone and is another way we can be in community with each other.
Please contact us if you have any questions! -
Artists and writers alike are welcome to provide any affirmations, guided questions, meditations, organizations to connect with, action items, etc. for readers to consider, reflect upon, or take action on after engaging with the content. These could be placed at the end of a written piece, or beside/after a piece of art. This is optional. We want to offer this as a way to make good on our first goal of “keeping education actionable.”
We hope these ideas can empower the audience to engage, get involved, or otherwise move from a more passive role of consumption to more active practice. This is not intended as a promotional area for advertising purposes.
IMPORTANT: we are unable to include any time sensitive items such as signing a petition or attending an event due to our extended production timeline.
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Our submissions timeline is broken down into three rounds: Round one concludes on September 1, 2023; Round 2 concludes on January 1, 2024; Round 3 concludes on March 1, 2024.
The first two rounds will receive feedback and suggestions on their work while any submissions sent in during the last round will receive final decisions.
We decided to structure our submissions in this way to increase accessibility to our team and what our vision is for this space (as there are no previous issues to reference for examples). We hope this will provide an opportunity to clarify what kind of pieces we are looking for and collaborate with submitters. -
For the physical issue, we will print using a method called risograph. This is very important for visual artists to know because risograph does not work like CMYK printing where you can print photorealistic copies of something with relative ease. The risograph is like a mix between photocopying and screen-printing. It prints in color separated layers as most machines only work with one ink color at a time. It looks like a photocopier but inside creates stencils and has an ink drum that spins around and pushes the ink out through the stencil. Watch how it works in this video.
In the decades since its first release, riso has created a niche as a more underground and artistic printing method, particularly for protest artwork and zines in the U.S. It also prints using soy-based inks and rice paper, so we like it for the sustainability aspect as well.
We find riso fascinating and fun. How the inks interact with each other, the paper, and the artwork adds its own flair and texture to printing. The process of color separation and understanding the layering may be both time consuming and intentional in slowing down and stepping back from the productivity this society asks of us and reminds us to take some joy in the process as well as remain present in the act of creating.
As we encourage both our contributors and our audience to go deeper, we want the same from our operational team by actively considering the physical production of our print issues. The imperfection, the labor, and the character of riso reminds us of our humanity, pushes us to refuse perfectionism, and, as much as we can with these serious and emotionally charged topics and pieces, to play.
While we are excited and curious about the many possibilities this medium holds for us in playing with the physical issue more artistically, we also understand that not everyone may share that enthusiasm. By no means are we trying to be disrespectful when we invite you to submit and then ask to work with this printing method.
If you don’t want to alter your piece for print then we are happy to work with you to find alternative ways your work can show up in this magazine! Please contact us. -
We welcome submissions in English from folks outside the U.S. context, however we do not feel we have the current operational support to assess or contextualize those submissions compared to those within the U.S. context at this time. All of our current team members were raised in the U.S. and have the most familiarity with the ways the industry has impacted us growing up here. Unfortunately that means we don’t feel the best equipped to work with folks writing or creating art from other countries right now, particularly if they are in other languages.
We would definitely be interested in pieces that have snippets of text in other languages and would not require any sort of translation or explanatory comma for the viewers (would love to talk more about this on a case-by-case basis).
Eventually we would love to be able to have the structure to accept and support submissions from folks who grew up in other countries, whose primary language is not English, and be able to provide translated versions of our issues in several languages. If you’re interested in this, please contact us!
The first issue theme:
Looking for the theme for our first issue? We picked a topic that affects all of us.
Got questions?
This is our first issue and we are trying things out. Please contact us here with any questions!